“Seven Days at Entebbe” spiritually fails because it doesn’t fully acknowledge the necessity and justice of Entebbe, instead seeking moral equivalence amid banalities about peacemaking. “Bombshell: The Hedy Lamarr Story” is more inspirational.

HBO’s The Final Year traverses the globe, from Africa to the Arctic, Havana to Hanoi, but it is in Syria where the cockfight personified by Samantha Power and Ben Rhodes climaxes. Indeed, President Obama claims that “on no other issue was there such a split” between them.

Clint Eastwood’s film about the incredible acts of heroism performed by Spencer Stone, Anthony Sadler, and Alek Skarlatos largely fails as a cinematic experience. But the story he tells remains an extraordinary tale about courage and God’s leading.

Next week marks the release of a new documentary about King T’Challa, ruler of Wakanda. Here is what you should know about the mysterious African nation.

National Review‘s critique of the new Western film Hostiles, with Christian Bale in the lead role as a cavalry officer,…

They were the first boots on the ground in the War on Terror. Their footprints were horse hooves.

The historic event grounding Christopher Nolan’s Dunkirk involved a military crisis that was, in its beginning, as dark, desperate, and seemingly hopeless as it was extraordinary, full of heroism, and even miraculous in its conclusion. Whether his film captures any of that sufficiently is an open question.

The PBS documentary fails to distinguish moral differences between belligerents, to account for the post-1968 strategy, and to learn the right lessons.

In this first of a two-part review, Mac Owens reflects on the Ken Burns & Lynn Novick PBS documentary “The Vietnam War” and why it falls short of its effort to provide a balanced view of the conflict.