It is because we desire the good of concord that we fight for a decisive end to conflict, one that secures and allows the enforcement of a durable peace.

A century after the Great War’s end, we still have much to learn from its lessons and still wrestle with its consequences and leftovers.

1917 certainly is not a “one trick” movie, nor is it “soulless” or “bad” or “bombast” or a mere slice of cake. No, it is a work of art. It is a beautiful film. It is a deceptively deep inquiry into the value of life, the treasured heritage of Western civilization, and the importance of martial courage.

William Brodrick’s “A Whispered Name” is a lyrical reflection on responsibility, judgment, grief, the elusiveness of justice, reconciliation, and human longing.

Formal religious adherence is declining, but America’s longtime religious self-identity as a lodestar of democratic responsibility in the world continues unabashed.

The Treaty of Versailles, which ended World War I, was signed one hundred years ago this week. What is often forgotten is that this treaty—or better yet, set of treaties—did recognize and advance, albeit in a limited way, the religious freedom of average citizens.

Perhaps an insight from the character of Elrond in J.R.R. Tolkien’s The Lord of the Rings, about the nature of our mortal lives, offers a measure of Christian realism in the face of Versailles: “And the Elves believed that evil was ended forever, and it was not so.”

While Lewis and Tolkien’s faith and contributions are well-known, most do not realize they both fought in the First World War as young men. Even fewer recognize how their time in the western front’s trenches influenced their faith and later works. However, in A Hobbit, A Wardrobe, and a Great War, Providence senior editor Joseph Loconte explains in his typical, approachable prose how the war affected these two men deeply and how those experiences influenced their writings and faith.